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The Affiliate Apprentice: Should You Hire One?
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The Affiliate Marketing Survival Guide 2013
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Make Money on Kindle: $345,000 in 5 Months?

The Affiliate Apprentice: Should You Hire One?

Affiliate Apprentice

Every now and then I receive an email from a frazzled affiliate with bloodshot eyes and questions like the extract below. I’m going to answer it here for the benefit of anybody suffering similar growing pains.

“Hi Finch. I’ve been running affiliate campaigns on FB/POF for over 18 months now and I’ve made good progress in the dating niche. I still feel like there are opportunities passing me by for a lack of resources/time/etc. There are so many traffic sources I want to try and so many offers, but I’m maxed out and finding it difficult to grow the business. It feels like scaling means sacrificing profitability. Do you have any experience of hiring an apprentice to help with expanding your campaigns? Or even to help organize the management side? If so, how do you keep them loyal instead of running their own offers?”

What you are referring to sounds like the classic affiliate marketing plateau.

Most arbitrage affiliates will be familiar with the point of diminishing returns where their overall ROI starts to suffer from spreading efforts too thin. Maybe you’ve neglected the creatives in Campaign X, or saturated every last eyeball in Demographic Y. By attacking too many markets, or too many traffic sources, you can quickly find yourself working extremely hard to make very little progress.

Instead of looking to hire an assistant, your first step should be to analyse the systems you currently have in place.

We all know it’s important to track campaigns using software like CPVLab or Tracking202. You don’t make money if you don’t see where you’re losing it first. But just as crucially, you need to have a system in place that adds meaning and structure to your tracking.

For me, this starts with a good labelling system.

If I’m running multiple campaigns across Facebook, Plentyoffish, Juicy Ads, TrafficJunky and so on, each broken in to multiple countries and demographics, the first thing I want is a way to distinguish overall performance without going in and viewing every last campaign’s stats from the day before.

If you label your campaigns poorly, the CPVLab dashboard is going to resemble a clusterfuck of insignificance. Sure, you’ve got the data on your doorstep. But if you can’t remember the difference between POF DATING CANADA, FB CANADIANS, and CAN MEN 35+, how are you going to make fast, efficient decisions that enable you to manage multiple campaigns?

Most affiliates are happy to track individual campaign performance. Yep, of course they are. They know the importance of data. But tracking data is one thing, managing it is another. You must have a good consistent labelling system to avoid getting your titties in a twist. And more importantly, so that you are motivated to actually use the data.

What’s the point in having CPVLab or Tracking202 if you can’t use them to get a meaningful status update in the morning? You want an overview presented on a plate; one that makes sense to you.

To stay organized, I like to group my campaigns by traffic source in CPVLab. I will then label using this system:

[Country] [Gender] [Age Bracket] [Keyword] [Optional Identifier]

For example, I might have a list of campaigns like this:

  • FR-M-3045-SingleParents
  • UK-F-2530-BlackDating
  • UK-F-2530-BlackDating-002
  • US-M-4050-GolfDemo

For traffic sources like Juicy Ads, I’m likely to have multiple campaigns for a single placement (based on a country redirect). For these placements, I use:

[Placement] [Country] [SubID] [Optional Identifier]

  • SiteX-DE-SX1
  • SiteX-AT-SX1
  • AnotherSite-US-AS1
  • ThirdSite-IE-TS1

Note: The SubID will also be passed to the networks I work with. That way if I have lead quality issues and I’m running multiple campaigns in the same country, I can distinguish which placement is sending the bad apples. Doesn’t really matter how you track this, just as long as you do.

Now, admittedly, there are more effective ways of labelling. And you can track on a much deeper level if you so wish. But this is the system that I’m happy with. If you are not confident with your ability to oversee multiple campaigns, you will run in to the affiliate plateau. Or to put it simply, you will start launching grenades.

So, step 1 for scaling effectively: get organised. Don’t just track data. Create a system that gives you confidence in it.

The subject of when (or even if) you should hire an assistant is a tricky one.

There are generally three schools of thought:

A. Give a man a campaign and you pay his bills for a month. Teach him how to run them and he’s got his face wedged in strip club titty by Friday night. And he probably doesn’t work for you by Monday. Loyalty, what loyalty?

B. Choose the right personality with the right drive, ambition and skill set. You could have an apprentice today and a business partner tomorrow.

C. Give design work to designers. Give programming work to programmers. Delegate the grunt work; focus your own time on the high value decision making. Keep the core of the business to yourself.

I am generally quite cynical of School B, but that’s only because I’ve yet to find the right ‘apprentice’ to turn in to a business partner. I much prefer the thinking behind School C, and it can be summed up with one classic quote:

“First, make yourself a reputation for being a creative genius. Second, surround yourself with partners who are better than you. Third, leave them to go get on with it.”
David Ogilvy

Ask yourself, what is the single most lucrative skill that an affiliate marketer can possess?

In my opinion, it’s his ability to weigh up opportunity (niches, offers, new cheap traffic sources) with reality (past performance of campaigns, basic maths) and then move quickly to strike while the iron is hot. We are not designers, programmers, or copywriters. Our money is made by plugging market loopholes.

This is something that requires a lot of time spent watching and waiting for opportunity.

My view is that you can’t pay enough attention to your primary job requirement if you are balls deep in CSS and HTML.

Our efforts should be focused on managing campaigns and finding new ones. The production work – the copywriting, banner design and etc – should be first on the chopping board when we run in to the plateau and scaling becomes a problem. Why? Because we can hire somebody to do that, but we can’t hire somebody to think like an affiliate.

Of course, for every step you take away from the grunt work, your ability to manage effectively has to grow exponentially. There’s no point in taking on top class designers if you fail to communicate with them, or fail to budget for them. There’s no point in trying to scale campaigns if the ones you already have are slapped across your tracking dashboard in a state that is nigh on impossible to manage.

Does that mean you shouldn’t take on a ‘Number Two’ as your apprentice? …Ever?

It’s a personal decision, but if I could give you one piece of advice, it would be to avoid individuals who offer to work for you because they like the sound of your career and want to ‘get involved’.

Note: ‘Get involved’ is a popular London turn of phrase that translates to “Join the party”. It betrays the intentions of those who think affiliate marketing is their one-way ticket to the Caribbean. Always think twice about partnering up with those who see your career as a piss-up in pyjamas.

I have taken on apprentices in the past who have made all the right noises about wanting to learn the ropes and get to grips with affiliate marketing. But when push came to shove, they would much rather ‘shadow’ my own campaigns than pick up the ball and create their own.

So, how do you define a good candidate for The Affiliate Apprentice?

Very few people graduate from university with a degree in affiliate marketing (and I can imagine those that do know the price of everything and the value of nothing). The best way to describe our skill set is as chameleons floating in cyberspace. We adjust to our surroundings and seize opportunities using a small but varied set of talents.

Should an apprentice be good at HTML and CSS? Should she be a modern day Peggy Olson copywriting whiz? What about somebody with experience in the industries we cling to?

It’s difficult to nail down a job description for an affiliate without matching it to several individuals you already know who would be absolutely terrible at the job. And that’s why I don’t even try.

Most successful relationships, business or otherwise, benefit from opposite forces holding them together. A little yin and yang goes a long way. I believe in those same principles for a business partnership.

If you are looking for a carbon copy of yourself, put a mirror in your office and work longer hours.

But if you want to bring an apprentice through the ranks, find one with a skill set and the personality to eventually become a valued compatible business partner – NOT a replacement for yourself. This is more likely to keep your egos apart.

Of course, remember: the only person who fully gives a shit about your business is you. Especially in an industry as soulless as affiliate marketing.

Don’t hire an apprentice to be your pawn. He’ll have no hesitation in taking your best ideas and playing you for a fool.

It’s a well known fact that affiliates don’t have many great ideas (just read this blog for confirmation). The ones we do have should be valued highly… and not found in a training manual circulating oDesk.

Happy hiring.

Got a question you want answered on the blog? Send it to me here.

The Affiliate Marketing Survival Guide 2013

Remember what I said about making money on the Kindle?

Well, I took my own advice.

I’m happy to announce the release of my first ever affiliate marketing book on the Kindle platform, and I think you’re going to enjoy it.

Finch survival guide

Included inside:

  • A fast-tracked introduction to the affiliate industry
  • My take on the expected (and unexpected) trends of affiliate marketing in 2013.
  • A look at the still-talked-about moneymaking methods that went bust in 2012
  • How to build an affiliate marketing brand for the future
  • Why our industry is at a dangerous crossroads, and what you can do about it
  • How to build a sustainable online business for 2013 (minus the bullshit)
  • A crap ton of useful resources

This is a completely rewritten overhaul of last year’s free Affiliate Marketing Survival Kit, which was a very brief overview of the industry and where I saw it going.

Checking in at over 28,000 words, Survival Guide 2013 is bigger, better, ballsier and bang up to date.

It is also dirt cheap.

I am using this guide as a marketing experiment on the Kindle platform, and for that reason, I’m charging less than 5 bucks. Yes, the price of a Starbucks for a complete analysis of the affiliate marketing industry as it stands in 2013.

And that’s from somebody who isn’t going to bullshit you with a pipe dream. I’m so confident, I even slapped my real name on it.

What’s the worst that could happen?

You’ll lose a Starbucks.

You can read the introduction for free over on Amazon. Just choose your market of choice below:

Enjoy the book, and keep an eye on this blog. I’ve got lots of brand new content coming next week.

Make Money on Kindle: $345,000 in 5 Months?

About a year ago, I traded my overflowing bookshelf for an Amazon Kindle.

After charging the tablet for the first time, I felt a pang of guilt. Digital seems dirty for a traditionalist, but only for about 17 seconds. It then becomes a marriage of convenience.

I’ve always loved the feel and smell of fresh books.

I could spend an entire afternoon in Waterstones pawing my germs across the Marketing section. I still do, but only in the name of Showrooming.

When it comes to making a purchase? I usually land on Amazon, combing for rarities and loading up my Kindle with enough material to completely zone out and forget about London’s Central Line.

I am not the only one.

Book sales are shifting from print to digital at a frightening rate.

In August 2012, Amazon revealed that for every 100 hardbacks and paperbacks sold through their site, customers were downloading 114 ebooks. That was just two years after the introduction of the Kindle. Where might the publishing industry be in 2015?

Online, is the answer you’re looking for.

The Rise of the Ebook

A few years ago, if you told people that you had an ebook for sale, you would notice their claws sharpening in a reflex motion.

Ebooks were associated with Clickbank sales letters and products of the lowest calibre. If you had a secret to sell, or a magic formula to peddle, it belonged in an ebook.

Most reputable authors did not touch the format for fear of cheapening their art, but us Internet Marketers? We loved it.

Here’s why:

Make money from ebooks

Yes, before selling ebooks became artistically acceptable (or even widely accessible), it was all about making money.

The arrival of the Kindle, paired with the boom in tablet sales, has seen a revolution in how we consume the written word; from newspapers to novels, from University textbooks to Nuts magazine (all 14 words of it).

The ebook is no longer a vehicle for novelty products. It is the only format that makes your writing available to all corners of the world in the click of a button. That is powerful. Selling digitally cuts so many costs that, inevitably, the print book will soon become a novelty.

Showrooming has become epidemic. The High Street can no longer cope with bastards like me flicking through the shelves with a camera in one hand, and a laptop in the other.

They say that the consumer is ‘always right’. While I will admit that he doesn’t have to be such an arse about it, there is good reason why we showroom and then buy online:

Better selection, cheaper prices, user feedback, and so on…

What does this mean for marketers and writers? It means that the publishing industry is now fair game for the little man. Once protected by agents and publishers, anybody who can slap their keyboards for long enough can now come away with a bestselling hit.

Just ask E. L. James.

Kindle for Writers… and Marketers

What is it that makes the Amazon Marketplace such a lucrative honeytrap for writers and marketers alike?

Well, firstly, it’s the built-in audience.

Even for the lucky few writers who score publishing deals, the biggest challenge has always been marketing their work. How do you get book sales when your prized masterpiece is hidden behind four crates of Fifty Shades in a dark, forgotten corner of the shop?

Selling on Amazon evens the playing field considerably. Not only can we optimise our work to leap ahead in the queue, but we can get that work in to the hands of millions of customers who would never usually find it.

If you are a writer sitting on an ‘almost’ finished manuscript, perhaps one that has been gathering dust since 1997, there has never been a better time to drag your work over the finishing line. Once you’ve uploaded your file to Amazon, it is available to buy within 12 hours. All around the world.

While writing is my passion, marketing is my day job. As a marketing platform, the Kindle represents a unique opportunity to grow an audience while funnelling traffic through to your website. One of the most interesting hooks of selling on Amazon is the opportunity to enrol your work in the KDP Select program.

By joining KDP Select, you can make any of your books freely available for a maximum period of 5 days out of 90. You might be wondering, “What is the purpose of giving away my hard work for free? I slaved balls to the walls for some sales!

There are two main benefits:

  • Instant exposure – In my most recent trial run on a Non-Fiction Self-Help title, I made the book free for 2 days and it received over 1600 downloads. For an extremely niche title, this was more than I expected.

  • Free downloads affect the charts – Amazon doesn’t care whether your book was downloaded for free when it compiles the bestseller lists. Free copies means early momentum, and user reviews…

Once you get your books in to users’ hands, there’s also the chance of having the title appear in ‘Customers who liked this…‘ lists, which are invaluable for promotion if a user wouldn’t necessarily search out your title.

So, marketers, let’s say you have a website for a weight loss regime. You want to promote the course that goes with it, and you intend to use a mailing list to drive the sales.

Where do you start?

On one hand, you could invest a fortune in to paid advertising campaigns (the quickest and fastest way to gain traction, but usually the most expensive). Likewise, you could troll your own sanity by trying to crack Google for weight loss terms.

But what if you condensed some of the key points behind the course, repackaged it in to an ebook for the Kindle, and then gave it away for free on Amazon? You can use your ebook to deliver a cocktail of valuable tips, plus a subtle sales pitch for your further products.

Many titles are capable of scoring thousands of free downloads in their promotion days. This is music to the ears of a canny marketer. You don’t have to do anything to get your message out there. The audience devours it willingly.

While the money you make from Amazon on non-promotion days is unlikely to set your wallet on fire, it is a fantastic platform for getting your message in to the right hands.

Even once your 5 free promotion days are over (after 90 days, you receive 5 more), you can lowball the product at a measly $0.99 and attract an endless stream of spontaneous buys that would never have otherwise found your brand.

Note on royalties: Amazon uses a tiered royalty system. Ebooks priced below $2.99 earn a 35% royalty, while those priced over receive 70%. A book priced $0.99 will net you a $0.35 royalty, while a book priced $2.99 will get you $2.09.

How to Get Published on Amazon

It’s easy to get published on Amazon. The first step is to sign up on the Direct Publishing platform.

Once you’ve got an account, you are free to load your bookshelf with as many titles as you can muster from that abandoned folder marked ‘To Sort‘ on your desktop. (Speaking from experience here, but I’m sure many of you can relate…)

When you add a book to Amazon, you’ll be asked to provide the title, a description, the categories and some keywords to target.

  • The title – Self explanatory. Aim for clickbait with the name of your book. It needs to attract eyeballs. Check out this great resource from Copyblogger on how to create magnetic headlines. Much of the same logic applies.

  • The description – Your description is designed to read like a good blurb. It should draw readers in to what your book offers, without giving away the secret sauce (if you have any!). The description is also a great place to air testimonials and social proofing. For a new writer with a >$0.99 price point, these are deal clinchers.

  • Categories – You can only choose two, so choose wisely. Spend time researching similar books on Amazon to get a feel for where your book belongs.

  • Keywords – If a user was searching for the information/advice that is available in your book, what would that search term be? This should come naturally to SEOs.

After filling out your book’s details, you will be asked to submit a cover art. Now here’s where even the best writer has been known to get his panties in a twist.

Cover art is important. It’s more important than the 150 hours you spent crafting a masterpiece.

Why?

Because nobody is going to read a title that receives its final blessing from MS Paint at 4 ‘o clock in the morning.

Your book needs to stand out from the Amazon listings, which means studying two key variables:

  1. What colour is the eye attracted to?
  2. What typeface is easiest to read?

Choosing a colour requires that you explore the existing books in your target market and find a nice combination that stands out from the pack (whilst avoiding garish mutilations of yellow, green, sparkles and polka dots)

My advice for the typeface is to keep it simple. I don’t care if you’ve written a gothic horror thriller, or a Jimmy Savile memoir, Arial/Times beats splatters of blood where text is concerned. Here are some excellent pointers on designing your ebook cover.

I feel guilty for tempting you with a ‘How To’ guide where cover art is concerned. In nearly all cases, you will be better served outsourcing to a professional (or amateur) designer who is experienced in Photoshop.

I’ve read that it costs hundreds of dollars to get a good cover art. That’s BS. Try five bucks on Fiverr. You might not get a work of art, but you’ll beat your own MS Paint massacre.

Note: For a checklist of cover art requirements, see this article on KDP.

Once you’ve uploaded your work (remember to check it for errors, typos and all-round format butchery in the Kindle Preview tool), the only thing left to do is set your pricing.

This works on a per region basis. If you really wanted to be awkward, you could charge $0.99 in the United States while asking UK users to fork over £10. I generally don’t recommend being awkward. It is worth experimenting with a slightly lower price point in the developing nations though (Brazil, India etc).

How to Sell 1 Million Ebooks in 5 Months

Back in June 2011, John Locke became the first self-published author to break 1 million ebook sales on Amazon. He did so in the space of 5 months by selling an ebook every 7 seconds.

Pow, pow. That’s fast.

Locke’s strategy involves pricing low (usually at $0.99), marketing well, and relying on the strength of his back-catalogue to deliver volume of sales.

It’s well established that one of the best ways to break in to the Kindle market (especially writing fiction), is to have a series. You can then give away the first book for free, whilst driving your new readership to the rest of the series. If you are a good writer, a reader will pay $0.99 for your additional work. It’s a spontaneous buy.

“I put (the most famous authors in the world) in the position of having to prove their books were ten times better than mine”
John Locke in the Telegraph on his pricing model

It’s a powerful strategy, and a dangerous one for the print publishing houses. They simply cannot compete in the basement bins with popular authors.

I often joke with my fiancée that I should write a bondage-themed vampire chic thriller, then call the main characters Kristan and Robart and be done with it. I joke, but then I think… maybe I really should.

There is huge potential on the Kindle for any writer with the self-discipline to get a series finished, particularly those with a marketing background and an eye for hot trends.

Through Fifty Shades, we have already seen that you don’t need to be a great writer to sell books. You need only have one eye for public sentiment, and another for good timing.

It is worth noting that selling 1 million ebooks, like John Locke, is no guarantee that you will become a millionaire. His books are mainly priced at $0.99, which means 1 million sales is only going to produce royalty revenue of $350,000.

That’s not small change, but it’s quite an underwhelming return for such a huge turnover of units. As marketers, we hope that selling a million of anything will be enough to make us millionaires.

Then again, these numbers were achieved in the space of 5 months during the first year of the Kindle boom. I’m sure there is no shortage of dinner on Locke’s table.

My Thoughts on Kindle

I am still experimenting with how to get the most out of the Amazon platform. Here are a few tips based on what I have learnt so far:

1. Learn to hoard social proofing

Affiliate readers of this blog will know only too well that social proofing sells. It cuts through decision fatigue like a knife through butter. If you can get an authority figure (or a relatable figure) to leave positive praise for your work, it might just be the dealmaker that persuades fence-sitters to buy. Use any public acclaim in your book’s description.

2. Promote every book with a mini-site

Amazon has a huge built-in audience, but we should be aware of the dangers in becoming platform-dependent. You don’t want your entire business to hinge on an Amazon product listing.

I recommend that for every ebook you publish, you should also create a standalone website complete with Facebook, Twitter and testimonials.

A great example of a mini-site that pimps its book well is this awesome effort from MJ Demarco, author of The Millionaire Fastlane.

Millionaire Fastlane book minisite

Now, that is how you build a platform for your audience. Buy his book, too. The second half is an inspiring read.

Note: If you are selling your product via Kindle, tell the reader so! The Kindle’s little ‘Click to look inside’ icon is an established visual cue that builds trust on the back of the Amazon brand.

3. Use pen names

From what we know about ‘return buyers’, it may seem counter-productive to use different pen names for your books. If a user likes one book and searches for more from the author, does it not make sense to have ALL of your work available to buy?

In my opinion, hell no.

I use various pen names for the different genres I write in.

If you are a non-fiction writer, readers expect you to be an authority in your field. So it makes sense that you would publish all of your neuroscience ebooks under one pen name, instead of blurring your perceived authority by also having chick lit, conspiracy theories and sci-fi available to download.

If you are going to cover multiple genres, you need to either:

a) Brand yourself like a Kardashian
b) Develop multiple pen names and brand them individually

Showcasing a diverse hodgepodge of amateur expertise under one name is not recommended.

4. Use social media but don’t be an arse about it

I’ve read a bunch of advice on how to use Twitter and Facebook to skyrocket your book sales. One of the worst tips I’ve seen is that you should schedule publicity tweets throughout the day in the hope that people will click through to buy your work.

This is stupid advice. Stupidly stupid.

It’s robotic, it’s soulless and it’s damn near ineffective for those of us without a million followers on Twitter.

Promoting your work on Twitter and Facebook can be very effective, but only if you take the time to embrace a two-way conversation. Posting link after link after link on auto-pilot is a primitive use of social media that should have expired 3 years ago, it’s akin to the boo boos of a content marketing moron.

Your audience does not want to be dictated to, especially with pleads of “Buy my new book! Buy my new book!” every 4 hours.

Social media: the clue is in the name.

By all means, tell the world about your new work. Just learn when to shut your cake hole.

5. Premium bitesize content is going to explode

One of the most exciting aspects of the Amazon platform – and the low pricing strategy – is that it opens the door for a new kind of ‘bitesize content’.

Think items like:

  • Reports
  • Whitepapers
  • Niche ‘How To’ guides
  • Short stories

These are formats that the publishing industry has typically shied away from. It doesn’t make sense to publish bitesize content on a grand scale in print form, but online distribution is a game changer.

Now that we can monetize small pieces of content at a low price to a very large audience, there is a whole new frontier of premium content just waiting to be explored.

The customers are willing to buy. Are you willing to create?

Final Thoughts

The current surge in ebook sales is not going to slow down anytime soon. This is a booming trend, and it is there for the taking.

By tapping in to the Amazon marketplace, you can leverage a huge audience that has scaling potential by the bucketload.

I’ve set myself a target of selling 200,000 ebooks this year. That’s a lot of sales, and there’s a long way to go, but I’m confident I’ll get there. I then hope to use the sales as a launch pad for a traditional book deal, which is a different beast altogether.

Are you looking to crack Amazon? Have you made it a part of your marketing strategy?

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